A Thousand Fragments: Reimagining Ru Porcelain

What happens when a thousand shards of broken Ru porcelain meet ten thousand scraps of paper? This cross-disciplinary sculpture breaks free from traditional material boundaries, merging the fragile legacy of the Ru kiln with the malleability of paper. Created over a month of intensive design and on-site execution, this atrium installation for the Ru Kiln Exhibition Hall explores the intersection of history and contemporary form.

• Heavenly Blue, Subtle Serenity: The piece inherits the spirit of the Song Dynasty, capturing the jagged, organic posture of Taihu stones and the flowing silhouettes found in the masterpiece A Thousand Li of Rivers and Mountains.

• The Contrast of Form: At the meeting point of 'hardness' and 'softness,' the installation evokes natural imagery—mist rising from mountain streams and the quiet murmur of water. Porcelain shards drift through trajectories of paper-earth and sand, symbolizing a cultural treasure emerging from the waves of time.

• Ink Wash in 3D: By borrowing the Cunfa (texture stroke) method from literati painting, the kneaded and layered paper clusters express the depth of traditional ink wash landscapes in a concrete, physical dimension.

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